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Clancy Steadwell's avatar

very nice Thomas. I like the fact I read to the end but then went back to the beginning and read with new eyes. like this sentence reads very differently the second time around: "If only he could smile and hide the torrent of pain and humiliation throbbing within his ruined face and betraying his indignation at the dignity he’d been denied, not once but always"

amazing work to sort of obfuscate the failure of his suicide like that.

I liked elizabeth's meekness turning to strength and Theodora being a foil to Theodore-- in the end, it was kind of like, who REALLY was wielding the gun? Emotion can be a powerful weapon indeed.

could maybe do with some tightening up in places just to make it shorter, probably with descriptions, just to make the major points move more quickly.

I actually think this is perfect to submit somewhere for just that reason--I felt like I was reading a lit mag more than a Substack post. In fact, I think it makes a far better submission than Substack post, if only for the length. I'd submit it many places, hang on to it for a year, and if no bites, post it. I certainly would have restacked this.

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Natalie Phillips's avatar

It's a lovely unravelling of the present to the past and how you kept the key moment until the end.

Two notes:

1) Great opening line. However, the two paragraphs that follow are rushed - I would use white space to allow the key moments to breathe, such as "smile motherfucker, smile" and trim back parts of the explanation to focus on the grievance and the action.

2) I understand who and what, but not where Theodore is in the first scene. I don't have a visual picture until he is pushed into the police car. Who are the damned? Is he outside, inside, somewhere official...? This tripped me up.

3) Love Theodora (nice mirror-imagery of her husband there, especially with the emotional insights) and using the trolley and department store to indicate the internal decay.

Good luck with your publication and submission. I am happy to promote it.

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