I love your article on minimalism and maximalism and how much they are a function of the writer's voice. It's interesting to compare Joyce's voice in "Ulysses" to his voie in "The Dubliners" or "Portrait of the Artist as a Young Man."
Cormac McCarthy has a decriptive but plot driven voice in "The Road." In "Blood Meridian," we get the usu…
I love your article on minimalism and maximalism and how much they are a function of the writer's voice. It's interesting to compare Joyce's voice in "Ulysses" to his voie in "The Dubliners" or "Portrait of the Artist as a Young Man."
Cormac McCarthy has a decriptive but plot driven voice in "The Road." In "Blood Meridian," we get the usual McCarthy who seems to have a love affair with dressing carnage is beautiful and terrifyingly Shakespearean prose.
I love your article on minimalism and maximalism and how much they are a function of the writer's voice. It's interesting to compare Joyce's voice in "Ulysses" to his voie in "The Dubliners" or "Portrait of the Artist as a Young Man."
Cormac McCarthy has a decriptive but plot driven voice in "The Road." In "Blood Meridian," we get the usual McCarthy who seems to have a love affair with dressing carnage is beautiful and terrifyingly Shakespearean prose.
Thank you for this thoughful article.
Thank you again. Your generosity with your comments inspires me to keep plugging away.