12 Comments
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Haly, the Moonlight Bard ✒️'s avatar

Welcome back, Professor.

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Nick Winney's avatar

excellent thoughts and advice as usual

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Vinny Reads's avatar

Great, immediately useful tips. Good stuff per usual, Thaddeus.

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Ivo Ziskra's avatar

Great article with lots of helpful insights.

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Lee Kemter's avatar

I love that you are bringing this up. Viewing this article as a reader, the plot has to keep me engaged. yet when I connect with the characters and let them take me into that plot like I am with them, the book is going to get devoured. You've made great points in this article.

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Larry Hogue's avatar

Wait, how does social media define character-driven vs plot driven? I thought your definition is the right one. Also, what if that movement in the character’s head compels her to go out and do a thing? Is it then plot-driven?

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Honeygloom's avatar

Over explaining, especially in horror, is my biggest pet peeve. Unknowns are scary, so why pull the mask off?

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Luke Warfield's avatar

Overexplaining is my #1 action point.

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Nuno Pinto's avatar

As someone who prefers to write as little as possible, I have to say I like this. But when do we take the excess out? After we finish the thing?

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Thaddeus Thomas's avatar

The proper advice is to edit when you're done. We don't want to polish the trash. Most of us don't follow that advice, however, and the best thing to do is whatever gets the story written.

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Nuno Pinto's avatar

I once did that, and the scraps fit together. Then I realized I ended up with two different stories. It’s like making a cat from the excess fur we comb out. An uncanny cat, but a cat nonetheless.

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