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Zachary Fuller's avatar

Hey man this offered a new perspective for me. Thank you.

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Stefan Baciu's avatar

Loved the essay! I do want to offer a small observation that might help illuminate the middle of the love affair between Grady Cole and Alejandra. I don’t believe it’s something inexpressible, or something literature has yet to articulate. Rather, it’s that a love affair—truly shared between two people—is a kind of divine mystery. We can describe what they do, how they move, what they think. But the thing itself—that luminous, burning center—is only ever approached apophatically, through what it is not.

I believed it because I’d lived something similar—an experience that made the story feel deeply familiar. And yet, just as I could never fully grasp what passed between Grady Cole and Alejandra, I can barely make sense of that episode from my own youth.

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Thaddeus Thomas's avatar

That's a beautiful insight

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Victor Jimenez's avatar

I enjoy your analysis. I am not a literary reader by any means but I like to see the layered nuances that you bring out in these works. Thank you.

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Thaddeus Thomas's avatar

I appreciate that.

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Sandy Shaller's avatar

Thaddeus, you've got me wanting to read "All the Pretty Horses." After "Blood Meridian," I thought I'd never put myself through another McCarthy books, but after I finished INFINITE JEST for a substack book club, I'll dive into "....the Horses." Thanks.

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Thaddeus Thomas's avatar

It's much easier on the soul than Blood Meridian.

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Sandy Shaller's avatar

That's good to know. My soul was like shredded wheat after "...Meridian."

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Jack Savage's avatar

Truth - I tossed No Country for Old Men because of McCarthy’s self congratulatory wank style descriptions. And got bored of The Road far too quickly.

I appreciate his strengths, but nah… His work’s not for me.

Yet to try Suttree, which might be more my flavour. Or All the Pretty Horses.

I remain unconvinced.

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